Baalbek (Baalbeck, Balbek, Balbeck), Lebanon

Approximately 86 kilometers northeast of the city of Beirut in eastern Lebanon stands the temple complex of Baalbek. Situated atop a high point in the fertile Bekaa valley, the ruins of Baalbek are one of the most extraordinary and enigmatic holy places of ancient times. Long before the Romans conquered the site and built their enormous temple of Jupiter, long even before the Phoenicians constructed a temple to the god Baal, there stood at Baalbek the largest stone block construction found in the entire world.

The origin of the name Baalbek is not precisely known and there is some difference of opinion among scholars. The Phoenician term Baal (as the Hebrew term Adon) simply means ‘lord’ or ‘god’ and was the title given to the Semitic sky-deity worshipped throughout the archaic Middle East. The word Baalbek may mean 'God of the Bekaa valley' (the local area) or ‘God of the Town’, depending on different interpretations of the word. Ancient legends assert that Baalbek was the birthplace of Baal. Some scholars have suggested that Baal (the Assyrian Hadad) was only one of a triad of Phoenician deities that were once venerated at this site - the others being his son Aliyan, who presided over well-springs and fecundity, and his daughter Anat (Assyrian Atargatis).

In the Seleucid (323-64 BC) and Roman (64 BC-312 AD) periods, the town became known as Heliopolis, the ‘City of the Sun.' The sky/sun god Jupiter became the central deity of the shrine during this time. Arguably the most important deity of the Romans and taking over the role of Zeus in the Greek pantheon, Jupiter was probably chosen to replace the much earlier worship of the Phonecian god Baal who had many characteristics in common with the Greek Zeus. Many Roman emperors were of Syrian birth, so it would not have been unusual for them to have promoted the worship of the country's indigenous deities under their adopted Roman names. Whatever the nature of the pre-Roman worship at Baalbek, its veneration of Baal created a hybrid form of the god Jupiter, generally referred to as Jupiter Heliopolitan. The Romans also assimilated the worship of the goddess Astarte with that of Aphrodite or Venus, and the god Adonis was identified with Bacchus.

The origin and development of Baalbek may be considered from two quite different paradigms of prehistory, one the conventional approach that views civilization as having only begun in middle Neolithic times and the alternative approach which suggests that developed cultures existed in what is archaeologically known as the Paleolithic period. Let us first examine the chronology of Baalbek from the conventional interpretation, following which I will discuss some amazing site anomalies that can only be explained by recourse to a far older and now lost civilization.

According to theories stated by the mainstream archaeological community, the history of Baalbek reaches back approximately 5000 years. Excavations beneath the Great Court of the Temple of Jupiter have uncovered traces of settlements dating to the Middle Bronze Age (1900-1600 BC) built on top of an older level of human habitation dating to the Early Bronze Age (2900-2300 BC). Biblical passages (I Kings, IX: 17-19) mention the name of King Solomon in connection with a place that may be ancient Baalbek (“And Solomon built Gezer and Beth-Horon, the lower, and Baalath and Tadmor in the wilderness”), but most scholars are hesitant to equate this Baalath with Baalbek and therefore deny any connection between Solomon and the ruins. Because the great stones of Baalbek are similar, though far larger, than the stones of the temple of Solomon in Jerusalem, archaic myths had arisen that Solomon erected both structures. If Solomon had really erected the site of Baalbek, however, it is astonishing that the Old Testament has mentioned nothing of the matter.

After the time of Solomon, the Phoenicians became masters of Syria and chose the site of Baalbek for a temple to their Sun-god Baal-Hadad. Little is known of Baalbek from this period. The late 11th century BC witnessed the arrival of an Assyrian army on the Mediterranean coast but because Baalbek is not mentioned alongside the names of other Phonecian cities, it has been assumed that Baalbek was an obscure religious center with no political or trading importance.

The first-century AD Jewish historian Josephus tells of Alexander's march through the Beqa'a on his way to Damascus, during which he encountered the city of Baalbek. Following the death of Alexander in 323 BC, Phoenicia was ruled successively by the Ptolemaic kings of Egypt and the Seleucid kings of Syria until the arrival of the Romans. The name Heliopolis, by which Baalbek was known during Greco-Roman times, derives from Greek association with the site beginning in 331 BC. Meaning ‘City of the Sun’, the name was also used by the Ptolemies of Egypt between 323 and 198 BC, in order to express the importance this holy site held for the Egyptians. A sacred site with this same name already existed in Egypt and the new Ptolomaic rulers may have found it provident to link the ancient sky-god of Baalbek with the Egyptian god Re and the Greek Helios in order to establish closer religious and cultural ties between their newly established Ptolomaic dynasty in Egypt and the eastern Mediterranean world. In the historical writings of Ambrosius Theodosius Macrobius, a Latin grammarian who lived during the 5th century AD, the god of the holy place was called Zeus Heliopolitanus (a Greek god) and the temple was mentioned as a place of oracular divination, similar to such sites as Delphi and Dodona in Greece and the temple of Amun at Siwa in Egypt.

The golden age of Roman building at Baalbek/Heliopolis began in 15BC when Julius Caesar settled a legion there and began construction of the great Temple of Jupiter. During the next three centuries, as emperors succeeded one another in the imperial capital of Rome, Heliopolis would be filled with the most massive religious buildings ever constructed in the far reaching Roman Empire. These monuments functioned as places of worship until Christianity was declared the official religion of the Roman Empire in 313 AD, following which the Byzantine Christian emperors and their rapacious soldiers desecrated thousands of pagan sanctuaries. At the end of the 4th century, Emperor Theodosius destroyed many significant buildings and statues, and constructed a basilica with stones from the Temple of Jupiter. This signaled the end of Roman Heliopolis. The city of the sun declined and lapsed into relative oblivion.

In the year 634, Muslim armies entered Syria and besieged Baalbek. A mosque was built within the walls of the temple compound, which was itself converted into a citadel. Over the next several centuries, the city and region of Baalbek were controlled by various Islamic dynasties including the Umayyads, Abbasids and Fatamids as well as the Seljuk and Ottoman Turks. During these years, Baalbek was ravaged by the Tartars in 1260, Tamerlane in 1401 and was also shaken by numerous powerful earthquakes.

In the 1700’s, European explorers began to visit the ruins and in 1898 the German emperor, William II organized the first restoration of the ancient temples. Following the lead established by the Germans, extensive archaeological excavations were carried out by the French government and later the Lebanese Department of Antiquities. While a great deal of much needed restoration work was performed by these archaeologists, the analysis of the ancient origins and use of the site was limited by the prevailing academic view of prehistory which does not recognize the possibility of sophisticated civilizations in early Neolithic or pre-Neolithic times. Particular structures at the Baalbek ruins can, however, only be explained by recourse to such extremely ancient cultures.

The ruins of Baalbek, situated on a large hill (1150 meters) with an expansive view over the adjoining plains, are bordered on two sides by the town of Baalbek and on the other sides by agricultural land belonging to local farmers. Within the sprawling complex are a profusion of temples and platforms filled with a stunning collection of fallen columns and sculptures. The primary structures at the ruins are the Great Court; the Temple of Baal/Jupiter situated upon the massive pre-Roman stone blocks known as the Trilithon; the so-called Temple of Bacchus; and the circular temple believed to be associated with the goddess Venus. Let us briefly discuss the Roman constructions first.

The Great Court, begun during the reign of Trajan (98-117), measured 135 meters by 113 meters, contained various religious buildings and altars, and was surrounded by a splendid colonnade of 128 rose granite columns. These magnificent columns, 20 meters tall and of enormous weight, are known to have been quarried in Aswan, Egypt but how they were actually transported by land and sea to Baalbek remains an engineering mystery. Today, only six columns remain standing, the rest having been destroyed by earthquakes or taken to other sites (for example, Justinian appropriated eight of them for the basilica of Hagia Sophia in Constantinople).

The Temple of Baal/Jupiter was begun during the reign of Emperor Augustus in the late first century BC and completed soon after 60 AD. The single largest religious edifice ever erected by the Romans, the immense sanctuary of Jupiter Heliopolitanus was lined by 104 massive granite columns, imported from Aswan in Egypt, and held a temple surrounded by 50 additional columns, almost 19m (62ft) high. The Temple is believed to have been consecrated to a triad of deities: Hadad (Baal/Jupiter), the god of Heaven; Atargates (Astarte/Hera), the wife of Hadad; and Mercury, their son.

As the vast temple complex expanded throughout Roman times, the so-called Temple of Bacchus was constructed in the middle of the 2nd century BC. It is called the Temple of Bacchus (the god of fertility and good cheer) mainly because a number of its sculptured reliefs have been interpreted by archaeologists as scenes from the childhood of this god (although some scholars argue this temple was dedicated to Mercury, the winged god of communication). The best-preserved Roman temple in the world, it is sixty-nine meters long by thirty-six meters wide and is surrounded by forty-two columns nineteen meters in height.

At the beginning of the 3rd century a lovely circular temple was added to the Baalbek complex. While early European visitors assumed it was a Venus temple due to its ornamentation of seashells, doves and other artistic motifs associated with the cult of this goddess, it is not known for certain which deity the shrine was actually dedicated to. During Byzantine Christian times the temple was used as a church by Greek Catholics and dedicated to the early Christian martyr Saint Barbara.

The great mystery of the ruins of Baalbek, and indeed one of the greatest mysteries of the ancient world, concerns the massive foundation stones beneath the Roman Temple of Jupiter. The courtyard of the Jupiter temple is situated upon a platform, called the Grand Terrace, which consists of a huge outer wall and a filling of massive stones. The lower courses of the outer wall are formed of huge, finely crafted and precisely positioned blocks. They range in size from thirty to thirty three feet in length, fourteen feet in height and ten feet in depth, and weigh approximately 450 tons each. Nine of these blocks are visible on the north side of the temple, nine on the south, and six on the west (others may exist but archaeological excavations have thus far not dug beneath all the sections of the Grand Terrace). Above the six blocks on the western side are three even larger stones, called the Trilithon, whose weight exceeds 1000 tons each. These great stones vary in size between sixty-three and sixty-five feet in length, with a height of fourteen feet six inches and a depth of twelve feet.

Another even larger stone lies in a limestone quarry a quarter of a mile from the Baalbek complex. Weighing an estimated 1200 tons, it is sixty-nine feet by sixteen feet by thirteen feet ten inches, making it the single largest piece of stonework ever crafted in the world. Called the Hajar el Gouble, the Stone of the South, or the Hajar el Hibla, the Stone of the Pregnant Woman, it lays at a raised angle with the lowest part of its base still attached to the quarry rock as though it were almost ready to be cut free and transported to its presumed location next to the other stones of the Trilithon.

Why these stones are such an enigma to contemporary scientists, both engineers and archaeologists alike, is that their method of quarrying, transportation and precision placement is beyond the technological ability of any known ancient or modern builders. Various ‘scholars’, uncomfortable with the notion that ancient cultures might have developed knowledge superior to modern science, have decided that the massive Baalbek stones were laboriously dragged from the nearby quarries to the temple site. While carved images in the temples of Egypt and Mesopotamia do indeed give evidence of this method of block transportation - using ropes, wooden rollers and thousands of laborers - the dragged blocks are known to have been only 1/10th the size and weight of the Baalbek stones and to have been moved along flat surfaces with wide movement paths. The route to the site of Baalbek, however, is up hill, over rough and winding terrain, and there is no evidence whatsoever of a flat hauling surface having been created in ancient times.

Next there is the problem of how the mammoth blocks, once they were brought to the site, were lifted and precisely placed in position. It has been theorized that the stones were raised using a complex array of scaffolding, ramps and pulleys which was powered by large numbers of humans and animals working in unison. An historical example of this method has been suggested as the solution for the Baalbek enigma. The Renaissance architect Domenico Fontana, when erecting a 327-ton Egyptian obelisk in front of St Peter's Basilica in Rome, used 40 huge pulleys, which necessitated a combined force of 800 men and 140 horses. The area where this obelisk was erected, however, was a great open space that could easily accommodate all the lifting apparatus and the men and horses pulling on the ropes. No such space is available in the spatial context of how the Baalbek stones were placed. Hills slope away from where lifting apparatus would need to have been placed and no evidence has been found of a flat and structurally firm surface having been constructed (and then mysteriously removed after the lifting was done). Furthermore, not just one obelisk was erected but rather a series of giant stones were precisely put in place side-by-side. Due to the positioning of these stones, there is simply no conceivable place where a huge pulley apparatus could have been stationed.

Archaeologists, unable to resolve the mysteries of the transportation and lifting of the great blocks, rarely have the intellectual honesty to admit their ignorance of the matter and therefore focus their attention solely on redundant measurements and discussions regarding the verifiable Roman-era temples at the site. Architects and construction engineers, however, not having any preconceived ideas of ancient history to uphold, will frankly state that there are no known lifting technologies even in current times that could raise and position the Baalbek stones given the amount of working space. The massive stones of the Grand Terrace of Baalbek are simply beyond the engineering abilities of any recognized ancient or contemporary builders.

There are several other matters about the Baalbek stones that further confound archaeologists and conventional theories of prehistoric civilization. There are no legends or folk tales from Roman times that link the Romans with the mammoth stones. There are absolutely no records in any Roman or other literary sources concerning the construction methods or the dates and names of the benefactors, designers, architects, engineers and builders of the Grand Terrace. The megalithic stones of the Trilithon bear no structural or ornamental resemblance to any of the Roman-era constructions above them, such as the previously described Temples of Jupiter, Bacchus or Venus. The limestone rocks of the Trilithon show extensive evidence of wind and sand erosion that is absent from the Roman temples, indicating that the megalithic construction dates from a far earlier age. Finally, the great stones of Baalbek show stylistic similarities to other cyclopean stone walls at verifiably pre-Roman sites such as the Acropolis foundation in Athens, the foundations of Myceneae, Tiryns, Delphi and even megalithic constructions in the ‘new world’ such as Ollyantaytambo in Peru and Tiahuanaco in Bolivia.

Hotels in Baalbeck:

Palmyra Hotel 4*There probably isn't another hotel in the Middle East that evokes the past as much as the Hotel Palmyra in Baalbek. Shabby and somewhat faded as it is, the whole place oozes character. The large rooms with their old-fashioned furniture and Jean Cocteau drawings, grand salon opening onto a balcony with a perfect view of the ruins and cool terrace garden have great charm.........From 60$ per room.....(more details and special rates)  

 

 La Memoire Hotel 4* .....(more details and special rates)

More about Baalbeck

Baalbek (Arabic: ÈÚáÈßý) is a town in the Bekaa Valley of Lebanon, altitude 1,170 metres (3,840 ft), situated east of the Litani River. It is famous for its exquisitely detailed yet monumentally scaled temple ruins of the Roman period, when Baalbek, then known as Heliopolis, was one of the largest sanctuaries in the Empire. It is Lebanon's greatest Roman treasure, and it can be counted among the wonders of the ancient world. It contains the largest and most noble Roman temples ever built, and they are among the best preserved.

Towering high above the Beqaa plain, their monumental proportions proclaimed the power and wealth of Imperial Rome. The gods worshiped here, the triad of Jupiter, Venus and Bacchus, were grafted onto the indigenous deities of Hadad, Atargatis and a young male god of fertility. Local influences are also seen in the planning and layout of the temples, which vary from the classic Roman design.

Baalbek is home to the annual Baalbeck International Festival. The town is about 85 km (53 mi) northeast of Beirut, and about 75 km (47 mi) north of Damascus. It has a population of approximately 72,000.

History

Prehistory

The history settlement in the area of Baalbek dates back about 9000 years, with almost continual settlement of the tell under the Temple of Jupiter.

19th-century Bible archaeologists wanted to connect Baalbek to the "Baalgad" mentioned in Joshua 11:17, but the assertion has seldom been taken up in modern times. In fact, this minor Phoenician city, named for the "Lord (Baal) of the Beqaa valley" lacked enough commercial or strategic importance to rate a mention in Assyrian or Egyptian records so far uncovered, according to Hélène Sader, professor of archaeology at the American University of Beirut.

Heliopolis, the City of the Sun

After Alexander the Great conquered the Near East in 334 BC, the existing settlement was named Heliopolis (Ἡλιούπολις) from helios, Greek for sun, and polis, Greek for city. The city retained its religious function during Greco-Roman times, when the sanctuary of the Heliopolitan Jupiter-Baal was a pilgrimage site. Trajan's biographer records that the Emperor consulted the oracle there. Trajan inquired of the Heliopolitan Jupiter whether he would return alive from his wars against the Parthians. In reply, the god presented him with a vine shoot cut into pieces. Theodosius Macrobius, a Latin grammarian of the 5th century, mentioned Zeus Heliopolitanus and the temple, a place of oracular divination. Starting in the last quarter of the 1st century BC (reign of Augustus) and over a period of two centuries (reign of Philip the Arab), the Romans had built a temple complex in Baalbek consisting of three temples: Jupiter, Bacchus and Venus. On a nearby hill, they built a fourth temple dedicated to Mercury.

The city, then known as Heliopolis (there was another Heliopolis in Egypt), was made a colonia by Augustus in 15 BC and a legion was stationed there. Work on the religious complex there lasted over a century and a half and was never completed. The dedication of the present temple ruins, the largest religious building in the entire Roman empire, dates from the reign of Septimus Severus (193-211 AD), whose coins first show the two temples. The great courts of approach were not finished before the reigns of Caracalla (211-217 AD) and Philip the Arab (244-249 AD). In commemoration, no doubt, of the dedication of the new sanctuaries, Severus conferred the rights of the ius Italicum on the city.

Today, only six Corinthian columns remain standing. Eight more were disassembled and shipped to Constantinople under Justinian's orders circa 532-537 AD, for his basilica of Hagia Sophia.

The greatest of the three temples was sacred to Jupiter Baal, ("Heliopolitan Zeus"), identified here with the sun, and was constructed during the first century AD ( completed circa 60 AD ). At the time it was the largest temple in the empire. With it were associated a temple to Venus and a lesser temple in honor of Bacchus (though it was traditionally referred to as the "Temple of the Sun" by Neoclassical visitors, who saw it as the best-preserved Roman temple in the world – it is surrounded by forty-two columns nearly 20 meters in height). Thus three Eastern deities were worshipped in Roman guise: thundering Jove, the god of storms, stood in for Baal-Hadad, Venus for ‘Ashtart (known in English as Astarte) and Bacchus for Anatolian Dionysus.

The original number of Jupiter columns was 54 columns. In the early 20th century an earthquake reduced the 9 remaining columns to six. The architrave and frieze blocks weigh up to 60 tons each, and one corner block over 100 tons, all of them raised to a height of ca. 19 m (62.34 ft) above the ground. This was thought to have been done using Roman cranes. Roman cranes were not capable of lifting stones this heavy; however, by combining multiple cranes they may have been able to lift them to this height. If necessary they may have used the cranes to lever one side up a little at a time and use shims to hold it while they did the other side.

The Roman construction was built on top of earlier ruins and involved the creation of an immense raised plaza onto which the actual buildings were placed. The sloping terrain necessitated the creation of retaining walls on the north, south and west sides of the plaza. These walls are built of about 24 monoliths at their lowest level each weighing approximately 300 tons. The western, tallest retaining wall has a second course of monoliths containg the famous trilithon: a row of three stones, estimated to weigh over 800 t each.

A fourth, still larger stone called Stone of the Pregnant Woman lies unused in a nearby quarry about 1 mile from the town (see image below). – its weight, often exaggerated, is estimated at 1,000.12 t.  An even larger stone, weighing approximately 1,242 t,  lies in the same quarry across the road (see image below). Another of the Roman ruins, the Great Court, has six 20 m (65.62 ft) tall stone columns surviving, out of an original 128.

Jupiter-Baal was represented locally (on coinage) as a beardless god in long scaly drapery, holding a whip in his right hand and thunderbolts and ears of wheat in his left. Two bulls supported him. In this guise he passed into European worship in the 3rd century and 4th century. The icon of Helipolitan Zeus (in A.B. Cook, Zeus, i:570–576) bore busts of the seven planetary powers on the front of the pillarlike term in which he was encased. A bronze statuette of this Heliopolitan Zeus was discovered at Tortosa, Spain; another was found at Byblos in Phoenicia. A comparable iconic image is the Lady of Ephesus (see illustration) (Robert Graves, The Greek Myths I.4).

Other Emperors enriched the sanctuary of Heliopolitan Jupiter each in turn. Nero (54–68 AD) built the tower-altar opposite the Temple of Jupiter, Trajan (98-117) added the forecourt to the Temple of Jupiter, with porticos of pink granite brought from Aswan in Egypt. Antoninus Pius (138-161) built the Temple of Bacchus, the best preserved of the sanctuary's structures, for it was protected by the very rubble of the site's ruins. It is enriched with refined reliefs and sculpture. Septimius Severus (193-211) added a pentagonal Temple of Venus, who as Aphrodite had enjoyed an early Syrian role with her consort Adonis ("Lord", the Aramaic translation of "Baal."). Emperor Philip the Arab (244–249) was the last to add a monument at Heliopolis: the hexagonal forecourt. When he was finished Heliopolis and Praeneste in Italy were the two largest sanctuaries in the Western world.

The extreme licence of the Heliopolitan worship of Aphrodite was often commented upon by early Christian writers, who competed with one another to execrate her worship. Eusebius of Caesarea, down the coast, averred that 'men and women vie with one another to honour their shameless goddess; husbands and fathers let their wives and daughters publicly prostitute themselves to please Astarte'. Constantine, making an effort to curb the Venus cult, built a basilica in Heliopolis. Theodosius I erected another, with a western apse, occupying the main court of the Jupiter temple, as was Christian practice everywhere. The vast stone blocks of its walls were taken from the temple itself. Today nothing of the Theodosian basilica remains

Early Islamic period

In 637 A.D., the Muslim army under Abu Ubaida ibn al-Jarrah captured Baalbek after defeating the Byzantine army at Battle of Yarmouk. It was still an opulent city and yielded rich plunderings. It became a bone of contention between the various Syrian dynasties and the caliphs first of Damascus, then of Egypt. The place was fortified and took on the name al-Qala‘ ("fortress"; see Alcala) but in 748 was sacked again with great slaughter. The Byzantine emperor John Tzimisces sacked the city in 975. In 1090 it passed to the Seljuks and in 1134 to Zengi; but after 1145 it remained attached to Damascus and was captured by Saladin in 1175. The Crusaders raided its valley more than once, but never took the city. Three times shaken by earthquakes in the 12th century, it was dismantled by 1260, when it served as the Mongol base for the last unsuccessful attack upon the Mamlukes of Egypt. But it revived, and most of its fine mosque and fortress architecture, still extant, belongs to the reign of Sultan Qalawun (1282) and the succeeding century, during which Abulfeda describes it as a very strong place. In 1400 Timur pillaged it.

Ottoman period

In 1517, it passed, with the rest of Syria, to the Ottoman Empire. But Ottoman jurisdiction was merely nominal in the Lebanon. Baalbek, badly shaken in the Near East earthquake of 1759, was really in the hands of the Metawali (see Lebanon), who retained it against other Lebanese tribes. The colossal and picturesque ruins attracted particularly intrepid Westerners since the 18th century. The English visitor, Robert Wood, with Dawson was not simply a tourist: his carefully measured drawings were engraved for The Ruins of Baalbek (1757), which provided some excellent new detail in the Corinthian order that British and European Neoclassical architects added to their vocabulary. Robert Adam, for example, based a bed and one of the ceilings at Osterley House on the ceiling of the Temple of Bacchus, and the portico of St George's, Bloomsbury is based on that temple's portico.

Even after Jezzar Pasha, the rebel governor of Acre province, broke the power of the Metawali in the last half of the 18th century, Baalbek was no destination for the traveller unaccompanied by an armed guard. The chaos that succeeded his death in 1804 was ended only by the Egyptian occupation (1832). With the treaty of London (1840) Baalbek became really Ottoman, the Encyclopædia Britannica (1911) reported, and since about 1864 had attracted great numbers of tourists. In November 1898, the German Emperor Wilhelm II on his way to Jerusalem, and passing by Baalbek was equally struck by the magnificence of the ruins projecting from the rubble, and the dreary condition. Within a month, the German archaeological team he dispatched was at work on the site. The campaign produced meticulously presented and illustrated series of volumes.

World Heritage Site

"Baalbek, with its colossal structures, is one of the finest examples of Imperial Roman architecture at its apogee", UNESCO reported in making Baalbek a World Heritage Site in 1984. When the Committee inscribed the site, it expressed the wish that the protected area include the entire town within the Arab walls, as well as the south-western extramural quarter between Bastan-al-Khan, the Roman site and the Mameluk mosque of Ras-al-Ain. Lebanon's representative gave assurances that the Committee's wish would be honored.

Theories about the moving the Trilithon and other megaliths

Roger Hopkins and Vince Lee have both theorized about how the megalithic stones were moved. They were both consulted about various megalithic moves around the world.

Roger Hopkins is a stone mason and sculptor who was consulted to do experiments in the movement of megaliths in Egypt (with Mark Lehrner) and other locations. He has suggested that the trilithon stones and 300 ton blocks were all moved with wooden rollers, demonstrating how this could be done by using steel rollers and levers to move a five to six thousand pound stone on a concrete platform by himself. He also participated in other experiments with larger stones, including some that may have been over 10 tons. These experiments required many more people. For 2 ton stones he was able to tow them with as few as 10 people at times and for faster results up to 20 people. Most experiments which have been done by Roger Hopkins and others to move stones 10 tons or more required well over 100 people.

Vince Lee is an architect, explorer and author. He has suggested that these stones were moved by flipping them with levers. According to this hypothesis a row of people would use 20 levers to pry up the trilithon blocks a little at a time. Each time they pried it up someone would put additional shims under the megalithic stones. After this was repeated enough times the stone would flip over on the next side. There would be a log on the other side that the stone would fall onto so that one side would already be lifted off the ground each time making it easier for the next flip. This would require over 300 flips for each of the trilithon stones and even more for the smaller 300 ton stones to cover the 1 mile distance from the quarry. Roger Hopkins and Mark Lehner also experimented with this technique on a smaller scale in Egypt during a NOVA pyramid building experiment. They found that they could flip stones up to about 3/4 of a ton with only 4 or 5 men, and they successfully flipped stones at least 2 and a 1/2 tons with more men; however, they found this was too slow to explain how the pyramids were built in so short a time.

Both Roger Hopkins and Vince Lee agreed that an earthen ramp would have been used to get the megaliths up the hill to the temple. They also agreed that the final placement would have involved flipping the megaliths and lowering it slowly by using sand to cushion the fall. The sand would have been placed where the trilithon stones were to be set, and when the stones were flipped into place the sand would be slowly removed. Additional experiments moving megaliths with ancient technology were done at other locations some of which are listed here.

 

Palmyra Hotel 4*There probably isn't another hotel in the Middle East that evokes the past as much as the Hotel Palmyra in Baalbek. Shabby and somewhat faded as it is, the whole place oozes character. The large rooms with their old-fashioned furniture and Jean Cocteau drawings, grand salon opening onto a balcony with a perfect view of the ruins and cool terrace garden have great charm.........From 60$ per room.....(more details and special rates)  

 

 La Memoire Hotel 4* .....(more details and special rates)

 

 

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